The concept of the Andalusian Cadence and Hijaz tonality are introduced. Each flamenco mode is harmonized tetrachordally and analyzed, and numerous examples of flamenco modes/harmonies are given.
Appendix I
This appendix contains 55 licks in the main flamenco modes. These licks are harmonised and each come with complete guitar finger- ings. Still, when the guitar fingering symbols are disregarded, they are perfectly valid for any melodic instrument.
Appendix II
This appendix is a complete thesaurus of the flamenco modes in all of their vertical and horizontal guitar fingerings, and are written in every flamenco tonality.
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