December 2006, 243 Pages - ISMN M-801224-23-1
English / Spanish
The tangos "Vivencias", Recorded for three guitars but adaptable for a solo or duet. In the "Commentary and suggestions" section the key of F#Hijaz ( por taranta) is explained, along with the characteristics of modern tangos and the pattern for " tangos arrumbaos ." The accompaniment to the cante , which is arranged for two guitars, is transcribed in its entirety.
The soleá "Calle Fabié". This very long soleá , which lasts more than nine minutes, is a masterly review of the art of composing in this palo , which is undoubtedly Rafael Riqueni's strongest.
The taranta "Alcázar de cristal" is a gorgeous guitar solo, a true gem in the repertory of any guitarist.
Transcription of each piece in notation and tab with complete both hands fingerings
History of the form
Flamenco modes, chords and tonalities
Compás, palmas and foot marking, which is essential for understanding of flamenco rhythms and, nevertheless, is never spoken about in flamenco manuals.
Analysis of the most difficult falsetas with explanations and advice as to technical execution.
List of generic rasgueados.
Glossary of flamenco terminology
The symbols used in flamenco writing.
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